Adrian relished the chance to create the kitchen of the future, fitting it out with hovering pans, and thermo-glo cooktops. Writer Trish Hastings' script explores what happens to tattoos once the bingo-wings set in. Adrian wanted to move away from simply creating a traditional white, gleaming kitchen of the future, wanting to create something quite atmospheric. There was a lot of debate about what would constitute the stirfry of the future, which was resolved once Deb Mclean introduced the evocative Lotus Root!
What began as a test to examine the boundaries of 3D car simulation and physics soon grew into 'The Bourne Identity in Legoland' as Travis & Nick developed the characters and storytelling.
Across a campaign of six TVC's, the Black Balloon ads created an ominous and memorable metaphor for energy waste. Collaborating with GPYR creatives Sassy Havyatt and Mark Poulier, director Adrian Bosich relished the challenge of bringing these scripts to life. Adrian used all his baby wrangling might to create the right reaction from the baby, all under the watchful gaze of child protection services. Two babies were ultimately used to maximise available time, one of whom became affectionately known as stunt baby.
Across a campaign of six TVC's, the Black Balloon ads created an ominous and memorable metaphor for energy waste. Collaborating with GPYR creatives Sassy Havyatt and Mark Poulier, director Adrian Bosich relished the challenge of bringing these scripts to life. To ensure each and every balloon sat seamlessly in the enviornments and did not destroy the illusion, Adrian worked closely with Iloura. For the 'live action' balloons, a myriad of tests were run to find the right combination of gases to create the perfect, menacing, slow-moving balloon.
Bright blue tennis courts have become synonymous with the Australian Open. Drawing on that palette, this vibrant and energetic series of TVC's came to life, with dynamic tennis balls exploding with paint. The 3D for this spot was hand-crafted and lovingly exploded by Canopy VFX.
Throwing some good karma back into the world, Adrian worked on this charity spot for Whybin with Peter Kirwan and Paul Hastings. Adrian recognised the power in the idea of laughter being the best medicine, and worked with The Lab to create the photo-real hair growth. He collaborated closely with Fiona Dann at Chameleon Casting to audition non-actor children who had great instinctive emotional range.
This spot for Ford FPV was designed to place the cars front and centre. Travis & Nick utilised photo-real 3D animation, which greatly increased the flexibility for shot selection, ensuring the best dynamic angles could be used.
A tragic mine collapse, which trapped a large number of miners in the early days of the gold rush, was the inspiration for this touching and gentle spot. The aim was to create a cinematic trailer that inspires the audience to want to know more.
